‘Avengers: Endgame’ Culminates 2010’s Pop Culture Phenomenon
Avengers: Endgame has the most crowd-pleasing finalé to a long-running pop culture series ever made.
Avengers: Endgame has the most crowd-pleasing finalé to a long-running pop culture series ever made.
The first female-centric film in the MCU, Captain Marvel, bakes the female experience into every aspect, making a potentially familiar story fresh and exciting.
Animated Spider-Man: Into the Spider-Verse uses unique, groundbreaking animation techniques and engages with the most ‘out-there’ comic book concepts to tell a hilarious, relatable, timely coming-of-age story.
Ruben Fleischer's toothless antihero film, Venom is like a blockbuster from 15 years earlier: one-dimensional, loose plot, inconsistent tone, and packaged in the least-offensive, most mass appeal way possible. Sigh.
Peyton Reed's "Disney-fied" Ant-Man and the Wasp is unchallenging in all the best ways.
The first half of Deadpool 2, in which Vanessa is murdered and Wade becomes purposeless and suicidal, is a slog. The second half, where Wade commits to defending an angry teenage mutant, positively soars with fantastic action and some of the funniest superhero film moments in years.
The focus on Thanos single-handedly saves Avengers: Infinity War from becoming the overstuffed mess many feared and lends the film a relentless action pace more akin to Mad Max: Fury Road than a superhero blockbuster.
Ryan Coogler's Black Panther engages with deep and timely social, cultural, and psychological concepts, and completely taps into America's zeitgeist.
James Gunn crafts a deeply flawed film, but Guardians of the Galaxy Vol. 2, which digs deep into daddy issues, is still entertaining, visually gorgeous, and likable.
In Mangold's Logan, an elderly, sick surrogate father and a young, estranged, emotionally-scarred "daughter" come to rely entirely on the aged Wolverine who is now but a haunted, battered, suicidal husk. It's nothing like superhero films that came before.