Rose City Band Deliver a Collection of Jam-Friendly Tunes
On Sol Y Sombra, Rose City Band offer an honest emotional reflection for our times with music that propels forward with their same carefree style.
On Sol Y Sombra, Rose City Band offer an honest emotional reflection for our times with music that propels forward with their same carefree style.
Bright Eyes brought their expansive and messy vision to life 20 years ago with two albums that captivated listeners then as they surely will now.
Illiterate Light would be wise to ignore certain impulses concerned with image in favor of what might naturally set them apart.
Hüsker Dü’s New Day Rising provided equal parts muscular intensity and melody as the band laid the groundwork for the future of alternative music.
Rome proves to be a strikingly good example of a great National show, even if nothing quite compares to the real thing.
Michael Kiwanuka’s most striking quality remains his voice, which has the power to evoke deep feelings, as his idols did for another generation.
Chuck Prophet’s incorporation of Cumbia music on Wake the Dead feels more natural than it sounds, but he remains himself, and we get the best of both worlds.
On the effervescent EELS, Being Dead make good on their promise not to repeat themselves on any song and dart through styles with relative ease to produce a gem.
Soccer Mommy wrestles with profound loss on her new record, which is more organic and grander than anything she has released before.
Pixies’ latest LP, featuring new bass player Emma Richardson, is another solid but not earth-shattering effort. It’s clever, if not cute, with a charming theme.
On Funeral, Arcade Fire found catharsis in music while processing grief for the loss of loved ones. As a result, they shifted the course of indie rock.
On Dulling the Horns, Wild Pink deliver reverberating guitars and new instruments that complement their thought-provoking sentiments and introspection.