Oasis’ ‘Definitely Maybe’ Still Sounds Fresh After 30 Years
Definitely Maybe is the definitive statement in the Oasis catalog, an album of its time but also transformative in what was yet to come.
Definitely Maybe is the definitive statement in the Oasis catalog, an album of its time but also transformative in what was yet to come.
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.
Disaster Trick finds Horse Jumper of Love with a clarity of vision after Dimitri Giannopoulos’ recent sobriety but will primarily appeal to their devoted fans.
Wishy’s debut LP reflects a band figuring out their style early in their career, but the strength of this album is likely to catapult them into indie stardom.
Alex Izenberg & the Exiles sees the artist take another step in his evolution as a songwriter, and his supporting cast helps him reach that next crest.
On Vertigo, psychedelic rockers Wand distill hours of material and add ornamentation to tracks that regularly favor mood over moments of grandeur.
Dr. Dog return with their 11th album, which moves in and out of classic styles. It features their best track to date while proving they are still having fun.
L.A. Times finds Travis inspired but in need of direction on what could be a transitional album in their career. They do take more risks than in over a decade.
Red Hot Chili Peppers made an LP on their own terms with Californication. They silenced the doubters and launched the second act of their extraordinary career.
Songs: Ohia’s Magnolia Electric Co. remains a dark triumph in the face of adversity. It was the turning point and apex of Jason Molina’s brief life and career.
On Eels Time!, Mark Oliver Everett offers up his many different temperaments and reminds us why he is cautiously optimistic despite the pervading melancholy.
Liverpool’s King Hannah reference indie rock contemporaries on Big Swimmer but advance their sound through unique soundscapes that stand on their own.