Yes’ Close to the Edge Appears in a New Super Deluxe Edition
Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.
Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.
Twenty years later, the Expanded Edition of Vashti Bunyan’s Lookaftering sustains the quiet force of an artist entirely in command of her craft. Nothing else sounds quite like it.
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
British ambient composer Jon Hopkins creates dark, intimate landscapes of analogue and electronic sound on his new “ceremonial” album RITUAL.
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
Conceived in a spirit of celebration, Kasabian’s eighth LP is a concise, stadium-friendly set of danceable, infectiousness pop-rock for life’s brighter moments.
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
A unique-sounding album, Unknown Pleasures retains the dark mystery of Ian Curtis and Joy Division while anticipating future moods and genres.
Released this month in a Super Deluxe Edition, Whisky a Go Go 1968 recovers a legendary “lost” performance by Frank Zappa and the Mothers of Invention.
Jonathan Cott provides a concise overview of two of the Beatles’ greatest songs in his book Let Me Take You Down: Penny Lane and Strawberry Fields Forever.
Alternating brooding rock anthems with ragged country-rock, Everybody Knows This Is Nowhere set Neil Young on a musical quest that continues 55 years later.
Shake It Up, Baby! breaks down the Beatles’ concerts, business deals, sleepless nights, and bloody fights month by month during the transitional year of 1963.