
Why Steve Albini Mattered So Much to Music
The death of artist and recording engineer Steve Albini leaves popular music bereft of one of its staunchest defenders against corporatized greed and conformity.
The death of artist and recording engineer Steve Albini leaves popular music bereft of one of its staunchest defenders against corporatized greed and conformity.
Jazz saxophonist Kamasi Washington’s latest album, Fearless Movement, inspires motion and emotion by combining contemporary jazz with pop, soul, and rap.
Fifty years after its release, progressive rockers Rush’s debut album remains an important stepping stone in the Canadian trio’s long journey to success.
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.
Ride continue their second phase with ‘Interplay’, an album full of melodic atmosphere lacking some of the creative yearning heard in their earlier work.
Guy Garvey and company return with renewed energy, a punchier attack and infectious grooves on Elbow’s tenth studio album, Audio Vertigo.
Steely Dan’s 50-year-old third album, Pretzel Logic, conceals its dark satirical vision of modern society beneath immaculate studio production.
Iron Maiden singer Bruce Dickinson overcomes creative and personal struggles on his first solo album in 19 years, The Mandrake Project.
Former Oasis frontman Liam Gallagher and Stone Roses guitarist John Squire sound reenergized on their new collaborative album, but the songs never catch fire.
The Bevis Frond’s Focus on Nature is a diverse set and a testament to how good songwriting and solid musicianship, in the right hands, never grow old.
Too Many Souls is the latest installment in Canadian alternative folk artist Avi C. Engel’s pursuit of “one long continuous song”.
Eleanor Patterson’s Bootlegging the Airwaves is a lively study of home-taping in the pre-digital era and the communities this “unpaid labor” created.