A Tribute to Teri Garr: A Comic Genius
Comic film actress Teri Garr flourished in the 1970s and 1980s, bringing an innate likability and charm to her roles and giving the characters dignity.
Comic film actress Teri Garr flourished in the 1970s and 1980s, bringing an innate likability and charm to her roles and giving the characters dignity.
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.
Alison Moyet’s approach to her oeuvre is to treat her old songs like a new batch of tunes, divorced from any baggage or expectations.
When Paul McCartney lost Linda McCartney in 1998, he described his grief as all-consuming, grief that haunts her sole solo studio album, ‘Wide Prairie’.
Maggie Smith had the most expressive face. She could say and do more with a roll of an eye or purse of her lips than most of her peers with pages of dialogue.
Katy Perry’s 143 sounds out of step with current pop, and there isn’t much here that is so eccentric and creative to justify the album’s relative mediocrity.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Amidst culture wars and an uncertain time for LGBTQ people, Drag Race fan favorite Pandora Boxx releases an album of funny comedy songs and catchy dance tunes.
Marilyn Monroe’s performative femininity as Sugar in Some Like It Hot is just as artificial as Tony Curtis and Jack Lemmon’s drag characters’, only better.
Yoko Ono: Music of the Mind at Tate Modern is an engaging overview of the polarizing artist’s career, but her career didn’t end post-John Lennon and Fluxus.