A Labyrinthine Conversation with Destroyer’s Dan Bejar
Destroyer’s Dan Bejar discusses the making of the band’s stellar new record LABYRINTHITIS while looking back to his past and forward to what might come next.
Destroyer’s Dan Bejar discusses the making of the band’s stellar new record LABYRINTHITIS while looking back to his past and forward to what might come next.
Over a decade after Odd Future permanently altered the rap landscape, the group’s gleefully offensive debut shines in certain places and falters in others.
On LABYRINTHITIS, indie rock’s Destroyer address North American anxiousness while successfully tackling styles hitherto untouched by the project.
On the companion piece to last year’s Ignorance, the Weather Station creates a piano-based record just as existentially anxious but anchored by quietude.
Big Thief’s dazzling new record sees the foursome dabbling in a plethora of folk-based styles and coming out sounding like no one but themselves.
Todd Rundgren’s Something/Anything? showcases all of his myriad strengths. It houses his best pop songs, best rock track, and stylings peppered with peculiarities.
On her last truly great album Hejira, Joni Mitchell designed a travelogue, awash with lush textures, and explored the implications of her lifelong itineracy.
On Helado Negro’s Far In, Robert Carlos Lange uses electric piano, drums, and lush textures to craft boundless dreamscapes worth inhabiting.
On Mercurial World, Magdalena Bay weave disco, EDM, vaporwave, and video game music into a dense world of escapist charms and an inescapable structure.