Laila Lalami’s ‘The Dream Hotel’ Questions Our Concept of Freedom
Laila Lalami’s The Dream Hotel asks how much freedom Americans are willing to sacrifice to feel safe. What if that includes losing their right to privacy?
Laila Lalami’s The Dream Hotel asks how much freedom Americans are willing to sacrifice to feel safe. What if that includes losing their right to privacy?
The excellent Brassroots Democracy details the beautiful and bleak ways that jazz music created the soundtrack of an emancipatory movement that lasts to this day.
Paola Ramos has more than one “massive blind spot”, which makes the ambitious Defectors not scholarly enough and too good to be true.
Ostensibly a meditation on Greek mythology, I found more parallels with Islamic eschatology in Anders Nilsen’s sprawling graphic novel think piece, Tongues.
Andrea Warner purportedly wants to do right by popular Canadian women musicians in her book of revisionist album reviews, We Oughta Know.
Sergei Lebedev’s The Lady of the Mine builds towards a series of translucent revelations on the epigenetic trauma of Ukraine, Russia, and the USSR.
Idaho asks, is time the element that binds us all? What does it mean to dream? Can our dreams be shared?