
Richard Dawson Discovers His Way Home on Captivating New LP
End of the Middle is a more streamlined Richard Dawson album that’s no less engaging and perhaps more accessible than his previous work.
End of the Middle is a more streamlined Richard Dawson album that’s no less engaging and perhaps more accessible than his previous work.
David Lynch’s Mulholland Drive unfolds in a series of desires and warnings often made under duress by unseen malevolent forces or motivated by darkness within.
Denver’s A Place For Owls discuss their new album, their relationship to emo, and the dual forces of suffering and hope in life and creative work.
Lives Outgrown seems like an outgrowth of where Beth Gibbons’ mind and talents have taken her in the past decade, which is to ruminate on how life is a vapor.
MGMT’s Loss of Life culminates with a run of songs about sleep, love, and death so deeply felt that it doesn’t matter if they are still joking on some level.
Grandaddy’s Sumday: Excess Baggage is worthwhile for its temporality, arriving two decades removed from Sumday and being all the more affecting as a result.
Folkie Richard Dawson talks about his new LP The Ruby Cord, first-ever US tour, and the evergreen pleasures of Bulbils, his project with Sally Pilkington.
The Best Show creator Tom Scharpling talks with PopMatters about his memoir It Never Ends and how he reached the greatest phase of his radio/podcasting career.
On My Morning Jacket, Jim James sifts through perceptions about technology and nature, offering a treatment for getting washed away by modernity.
Low’s new album HEY WHAT improves upon the experimental Double Negative but has a somewhat predictable formula and mostly lacks drums.
Liars’ founding member Angus Andrew talks with PopMatters about revisiting the band’s past work and creating a new sci-fi album, The Apple Drop.
What's New, Tomboy? is special for how profoundly Damien Jurado acknowledges what might be learned from the emptiness in this life, as well as from being still and waiting to be filled.