Remembering For Against’s Brilliant Post-Punk Classic
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
Bloc Party’s first and best record, championed by Franz Ferdinand, still captivates with its youthful energy, political commentary, and emotional center.
Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.
Jan Akkerman’s discography is vast and ranges from rock to jazz to classical works, several including solo performances on the guitar forerunner, the lute.
Even if the world only knew Alison Krauss from ‘Now That I’ve Found You: A Collection’, her place in country music history would be assured.
The dark comedy Patriot illuminates how neoliberalism makes choices for us disguisedly, using entrepreneurial agency as a fig leaf to obscure manipulation.
Belly’s rock-oriented follow-up, King, to their dream pop debut, Star, didn’t deserve its fate. It showcases a talented group stretching their sound.
Bright Eyes brought their expansive and messy vision to life 20 years ago with two albums that captivated listeners then as they surely will now.
Poster Children‘s Junior Citizen remains a refreshing, barely-polished masterpiece, like garish, late-night anime on steroids. The group discuss the album.
Hüsker Dü’s New Day Rising provided equal parts muscular intensity and melody as the band laid the groundwork for the future of alternative music.
When the light hits the music just right, Tom Waits’ body of work unlocks and reveals itself: to be at home anywhere is to be at home nowhere at all.