Vampire Weekend’s ‘Modern Vampires of the City’ at 10
Vampire Weekend’s Modern Vampires of the City is very much a studio creation in the 21st-century sense, born from many months of sweat and obsession behind computer screens.
All Things Reconsidered
Janet Jackson Came Into Her Own As a Significant Artist on ‘Janet’
Janet Jackson’s Janet, released 30 years ago today, embraces the maturity of her sexuality and political identity, and in the process, she creates beautiful music.
Bob Dylan’s ‘John Wesley Harding’ Was No Friend to the Poor
Bob Dylan’s 1967 album John Wesley Harding is more about what it is not than what it is. Does that hold true for the mythology of John Wesley Hardin himself?
Reconsidering Sonic Youth’s ‘Confusion Is Sex’ at 40 Years Old
Sonic Youth’s Confusion Is Sex is impressively raw and uncompromising, thrilling and terrifying as a walk through the Lower East Side in the early 1980s.
Calexico’s ‘Feast of Wire’: Mestizaje Was on the Menu as They Evolved
Calexico’s 2003 album Feast of Wire hauntingly soundtracks the plight of Central American migrants who arrive at America’s border long before – and well after – the dissolution of Title 42.
Aimee Mann’s Solo Debut ‘Whatever’ at 30
Whatever introduced with authority and assurance the Aimee Mann who, by the end of the 1990s, had taken complete control of the rest of her career.
Carly Simon Became a Pop Rom-Com Queen with ‘Coming Around Again’
Carly Simon adapted to the glossier, smoother sounds of 1980s soft-rock, spinning yarns of upper-class anxiety in Coming Around Again.
The Kinks’ ‘Misfits’: Connecting with Ray Davies’ Powerful Middle Eights
The Kinks’ Ray Davies is a master of creating a rushing, crashing, emotional middle eight in his songs. This songwriting technique creates that personal connection to the fan experience.
Talking Heads’ ‘Speaking in Tongues’ at 40
Speaking in Tongues captures Talking Heads at the zenith of their funk freakout and just before a big gray suit would change everything. It’s an art-pop funk masterpiece.
John Lennon’s Work of Faith
Removed from the pandemonium of Beatlemania, John Lennon knew the limits of his influence. All he could do was sing his truth and suggest people “imagine” a better world for themselves. Or not.
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Living Colour’s ‘Vivid’ Turns 35: An Interview with Vernon Reid
What better way to celebrate Living Colour’s landmark album Vivid on its 35th birthday than talking to the band’s guitarist and primary songwriter, Vernon Reid.
In the Aeroplane Over the Meme with Neutral Milk Hotel
Neutral Milk Hotel’s ambiguous 1988 album, In the Aeroplane Over the Sea, suffered a memeified atrocity. But the tides of public opinion rise and fall, and memes come and go.