Finding Their Way: Rush’s Debut Album at 50
Fifty years after its release, progressive rockers Rush’s debut album remains an important stepping stone in the Canadian trio’s long journey to success.
Fifty years after its release, progressive rockers Rush’s debut album remains an important stepping stone in the Canadian trio’s long journey to success.
With Mule Variations, Tom Waits tamed his vaudevillian guises and showed that he was aging gracefully, while retaining his integrity towards his artistry.
Gil Junger’s alteration of The Taming of the Shrew, 1999’s 10 Things I Hate About You, is a revolutionary Riot Grrl-inspired teen comedy for today’s girls.
The songs on the Fiery Furnaces’ Widow City are like a multiverse 45; they’ll never be hits on this Earth but might sell millions in a world slightly tweaked.
The Eagles’ On the Border (1974) signified the crossing of a musical boundary, as they progressed from country to rock, ensuring future mainstream success.
Has any songwriter used the words “things” and “sounds” and made small matters seem more significant and full of possibility as much as Built to Spill’s Doug Martsch?
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Forty-five years after Elvis Costello’s Armed Forces first arrived in record stores, its commentary on fascism is extremely relevant to today’s politics.
The 1984 rockumentary, or mockumentary, This Is Spinal Tap is a prophetic parody where one can laugh about, laugh at, and be laughed at all at the same time.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.
Madvillain’s Madvillainy remains an unforgettable underground hip-hop album, combining Madlib’s distinctive beats with MF DOOM’s precisely designed rhymes.
Steely Dan’s 50-year-old third album, Pretzel Logic, conceals its dark satirical vision of modern society beneath immaculate studio production.