Fragments of a (Diabolical) Dream: Vojtěch Mašek’s ‘The Sisters Dietl’
Reading Vojtěch Mašek’s s diabolical and superb The Sisters Dietl is like consuming a many-layered pastry laced with something hallucinogenic.
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Reading Vojtěch Mašek’s s diabolical and superb The Sisters Dietl is like consuming a many-layered pastry laced with something hallucinogenic.
There are two Lenny Bruces: 1. the real-life subject of thoughtful documentaries and biographies, and 2. the TV/movie hip mentor and accidental deity.
Music may be the glue of every NYC underground scene This Must Be the Place covers, but Jesse Rifkin’s primary interest is in the community held together by that glue.
The Albert Camus of Travels in the Americas diaries is a passionate, despairing reckoner with the struggles of earthly existence, both personal and societal.
Michael Hann’s oral history The Gospel of the Hold Steady traces the band’s image, music, and challenges in a brilliant chronicle of the promise of rock ‘n’ roll.
In this excerpt from Jonathan Leal’s study of Black American jazz, Dreams in Double Time, bebop gives the music a “new accent” and the outsider citizenry a “new language” for counter-punching rebellion.
In this excerpt from The Media Swirl, Carol Vernallis peers through the glitter of the stunning party scene in Baz Luhrmann’s The Great Gatsby and exams its sparkling layers of meaning.
Despite claiming that QAnon believers will never see reason, Operation Mindfuck tries, in Hunter S. Thompson fashion, to explain why they’re wrong.
Calling for a Blanket Dance stitches an intergenerational quilt of rich themes: gift-giving, second chances, reclaiming culture, family loyalty, and the indelible search for a home.
Fuminori Nakamura’s neo-noir The Gun picks apart the mental machinery of a potential shooter and puts him back together, piece by piece, to identify the fatal components.
Going for Broke: Living on the Edge in the World’s Richest Country turns to the real experts on economic hardship in America: those who live it.