Marjane Satrapi is a complicated woman living and working at the intersection of many overlapping identity factors, and her books Persepolis and Embroideries provide us different facets through which to view this complex of relations.
The magical quality that makes or breaks a graphic novel lies somewhere in that liminal space in which art and literature intersect.
Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys.
Bishakh's Som's graphic memoir, Spellbound, serves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing.
Natasha Alterici's comic series, Heathen, has single-handedly redeemed the disaster that pop culture has been making of Norse mythology.
Wouldn't it be funny if Beetle Bailey spent his time describing his Harry Potter fanfiction to Sarge, or if Blondie's Dagwood spoke like an alienated Beckett character about godlessness and ennui while he assembled an overstuffed sandwich?