
The Amorphous and Complex Global ‘Pink Line’
Mark Gevisser's excellent study of the global weaponization of homo- and transphobia, The Pink Line, provides a superb survey of the promise – and peril – of queer identity.
Mark Gevisser's excellent study of the global weaponization of homo- and transphobia, The Pink Line, provides a superb survey of the promise – and peril – of queer identity.
Is misandry the best response to male misogynists? In I Hate Men, Harmange argues that a form of misandry is necessary for women's survival.
Black Against Empire attempts something beyond the scope of power-to-the-people flashbacks of Afros, dashikis, and raised fists: it takes the Black Panther Party seriously as a political entity taking dead aim on American laws and values.
The idea that we work because we want to, not because we need to, is a pernicious one that labor journalist Sarah Jaffe dissects in Work Won't Love You Back.
Amani Willett's A parallel Road shows how controlling people's right to travel is central to the racist mindset.
As cool as Marlon Brando, James Dean, Jack Kerouac or Dalton Trumbo, rebel Max "Flaco" Greenbaum grows up in Watts Riots-Vietnam-draft-era L.A. Too smart (and smart-mouthed) for school, the violence of this world is drawn in deep and lingers like the long, slow, life-saving drag of a cigarette.
Diana Darke's stumbling cultural critique, Stealing from the Saracens, shows how desperately Europe needs its own anti-racist language.
While we feast on fictionalized (and real) tales of murder and awfulness, we really just want to live our lives in peace and are not interested in preying upon one another. Our essential goodness has become clear during our times of COVID-19.
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
Visual culture is not just ubiquitous, it's also a potent force.