The Old Days Were Outrageous – You Couldn’t Say Anything
History of offense, protest, and censorship Outrageous is more of a clip show but also a riotous reminder that nothing in the cancel culture wars is new.
History of offense, protest, and censorship Outrageous is more of a clip show but also a riotous reminder that nothing in the cancel culture wars is new.
If there is any consolation to be had in Teju Cole’s slippery and sinuous Tremor, it’s not found in art or literature but in the music that permeates its pages.
Blade Runner serves our vision of an inevitable dystopian future because we live in a “stuck future”, refusing to heed cyberpunk’s warning.
Lesbian camp is not a thing of the past. It evolves and remains relevant to subsequent generations. Suffering Sappho! Unghosts the lesbian in lesbian camp.
Hans Kundnani’s Eurowhiteness is a take on racism from a European perspective, which is as forward-looking as it is occasionally short-sighted.
American anxieties about the rise of rock ‘n’ roll nation were exploited by the far right, relating the music’s lyrics, sounds, dances, and subcultures to ubiquitous worries about communism and the developing civil rights movement.
Tony Kaye’s 1998 crime film American History X connect today’s Neo-Nazi hatred back to poisons long carried by Americans, dating back to the country’s original sin of slavery.
In their pseudo-creativity and occasionally malevolent capriciousness, generative AI programs resemble an order of magical spirits from another age.
If the future of work is interaction with intelligent machine counterparts, workers’ cognitive and emotional experiences will undergo a seismic shift.
With graphic novel Summer of Hamn, rap legend and now visual artist Chuck D has produced his second, strong, COVID-era work of art and social commentary.
The tighter we cling to any aspect of self-identity, the more we suffer and the more vital it becomes to release our grip.