Dark Winds’ Tale of Memory and Monsters at Monument Valley
Fusing mystery with mysticism, Navajo Nation psychological thriller Dark Winds conjures memory and monsters at Monument Valley.
Fusing mystery with mysticism, Navajo Nation psychological thriller Dark Winds conjures memory and monsters at Monument Valley.
Today, Joan Osborne stands among the most underrated singer-songwriters of her time because most people don’t know how well she can sing or write.
We chat with Caili O’Doherty about her career, new recording celebrating the life of Lil Hardin Armstrong, and how hard it is to make jazz in the current climate.
Archers of Loaf’s Vee Vee takes on the mythos of rock stardom, the underbelly of local music scenes, and their rules. It also critiques consumerism.
Wilco are always full of surprises. Their lineup has changed frequently and reveals a group constantly pushing themselves into uncharted musical territory.
Michael Anderson’s ’70s-era ecological horror Orca: The Killer Whale takes the whale’s POV and we won’t like what it sees.
Radiohead’s first musically important album, The Bends is 30. It’s where the group’s experimental inclinations initially took flight.
Lamberto Bava’s gothic horror The Mask of Satan is a loose framework for ideas to showcase a delirious camera and the freaky makeup effects of Sergio Stivaletti.
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
After 10 days of fanfare and celebrity mayhem, the 75th edition of the Berlinale closes with some poignant, idiosyncratic releases from directors Richard Linklater and Radu Jude.
Director Alfonso Maiorana talks about music pioneer Ellen McIlwaine, who raised the power and profile of female musicians, and how she achieved her hard-earned “goddess” status.
Alt-rocker Shawn Marom discusses Cryogeyser’s career-peak new record, which is a magical, heartfelt journey through grief and growth.