Director Christos Nikou Scratches Below the Surface of ‘Fingernails’
Can love be determined by an algorithm? In our interview with director Christos Nikou, he scratches below the surface of his sci-fi romance, Fingernails.
Can love be determined by an algorithm? In our interview with director Christos Nikou, he scratches below the surface of his sci-fi romance, Fingernails.
Director Fawzia Mirza and actress Nimra Bucha on their generational dramedy The Queen of my Dreams and what it means when the queen is not what she seems.
Is Nordic comedy of ‘bad’ manners The Hypnosis a story of a woman’s liberation and coming-of-age? Or is it a dream about entitled and privileged rebellion?
Cord Jefferson’s provocative satire on race and literature, American Fiction, skewers modern-day minstrelsy and performative allyship.
Filmmaking should be carnivorous, made from “the flesh of the actors” says French provocateur Catherine Breilla as she discusses her thriller, Last Summer.
Director Sofia Coppola places herself in the crosshairs with her troubling and provocative adaptation of Priscilla Presley’s memoirs.
Director Christian Sparkes and actors Clayne Crawford and Alix West Lefler discuss the mystery The King Tide during its World Premiere at TIFF 2023.
If we listen closely enough to the knocking on the wall, we can hear the anguished whispers of a stronger story caught in the web of Cobweb’s weaker one.
Following Aporia’s world premiere at Fantasia, director Jared Moshé talks about leaving his audience grappling with moral ambiguity.
Small Axe fuses the political and poetic and reminds that oppression does not define communities; it is one element of a much richer cultural tapestry and emotional terrain.
Director Rebecca Zlotowski talks with PopMatters about her most autobiographical film to date, Other People’s Children, which has a “whiff” of Claude Sautet about it.
Mia Hansen-Løve’s tender Parisian drama One Fine Morning reflects on our sentimental nature and how we attach meaning and connection to the physical.