Albert King’s ‘In Session’ Offers a Master Class in Mutual Respect
In Session documents the night a one-time blues jam between guitarists Albert King and Stevie Ray Vaughan turned into a legendary moment.
In Session documents the night a one-time blues jam between guitarists Albert King and Stevie Ray Vaughan turned into a legendary moment.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Portuguese singer Carminho, fado is more than a genre of music; it’s a language through which she expresses her spiritual growth.
Country-rockers Loose Cattle’s Someone’s Monster suggests that we may all be somebody else’s demons while the songs imply we might be our own worst enemies.
The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.
In this installment of our retrospective of 1980s music videos, we focus on 20 promos that have, remarkably, stood the test of time.
In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.
Can’t Steal My Fire: The Songs of David Olney introduces one of America’s great but overlooked songwriters to a broader audience.
Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.
In Haruki Murakami’s The City and Its Uncertain Walls, music’s presence and absence are central to the concrete and metaphysical spaces the characters migrate between.
In November’s best metal, the Body corrode all sound, Defeated Sanity balance immediacy and complexity, and Djevel relish the Scandinavian black metal spirit.
The Blood Brothers Crimes is a pitch-black satire and critique of its time showing how little has changed. It would be depressing if the music weren’t thrilling.