Finding a Home with Tom Waits
When the light hits the music just right, Tom Waits’ body of work unlocks and reveals itself: to be at home anywhere is to be at home nowhere at all.
When the light hits the music just right, Tom Waits’ body of work unlocks and reveals itself: to be at home anywhere is to be at home nowhere at all.
Louder Than You Think documents the early origins of indie rock’s Pavement through the cracked life and times of the band’s first drummer, Gary Young.
For her 1989 album, Taylor Swift wrote breakup songs that cleverly conveyed to fans she had personal freedom even from within her glass castle.
Classical and compositional music have continued to thrive in the 20th and 21st centuries, reaching new heights of dissonance and beauty.
For Warhaus’ latest LP, Karaoke Moon, Belgian songwriter Maarten Devoldere (Balthazar) delved into his subconscious with some hypnotic assistance.
For Portuguese singer Carminho, fado is more than a genre of music; it’s a language through which she expresses her spiritual growth.
In this installment of our retrospective of 1980s music videos, we focus on 20 promos that have, remarkably, stood the test of time.
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The Blood Brothers Crimes is a pitch-black satire and critique of its time showing how little has changed. It would be depressing if the music weren’t thrilling.
Post-punk band the Dismemberment Plan’s Emergency & I is a landmark about loneliness, confusion, and isolation and how to bounce back from them.
Denver’s A Place For Owls discuss their new album, their relationship to emo, and the dual forces of suffering and hope in life and creative work.
Fred Thomas: “Attention spans are so short now. Records need a story to stand out from the rest. There is a deep intentionality in this record for me.”