Lollise Makes a Splash With Brilliant Debut ‘I Hit the Water’
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
El Khat’s music is unlike anyone else’s. It is a sparkling array of DIY tools that work toward vital social messages and spreading Yemeni Jewish tradition.
Alt-country/Americana artist Kevin Gordon’s The In Between provides evidence for the grandeur of keeping on even when everything seems wrong.
Los Bitchos’ Talkie Talkie builds an immersive experience with a larger narrative. They challenge the conventions of rock through sound and representation.
What if they had a folk festival and nobody protested? Evanston, Illinois hosted its first folk festival without politics from its stages.
Life is hard, and the world is a dangerous place. The The’s Matt Johnson has never shied away from these realities. He’s as pithy and perceptive as ever.
Enumclaw’s sophomore LP, Home in Another Life, again delivers 1990s alternative sounds but is confessional in nature and speaks to what ails us.
British jazz is a multicultural melting pot merged with the jazz tradition. The variety of sounds has lacked the Slavic element so far. Enter Tryp Tych Tryo.
Devourer‘s songs are the best Cursive have released since 2003, balancing a noisy attack and withering lyrics with some of their prettiest, accessible tracks.
Throughout Ela Partíu, Laíz makes clear just how much more she is: strong, tender, and an outstanding new figure in globally-minded hip-hop.
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
MJ Lenderman creates sounds that somehow cut into his listeners’ heads and hearts, even when the songs’ sonics resemble that of the garage band next door.