Alex E. Chávez’s ‘Sonorous Present’ Is a Beautiful Meditation
Due to the unique mix and execution of all the elements present, Alex E. Chávez’s Sonorous Present is richly rewarding and an astonishing sonic experience.
Due to the unique mix and execution of all the elements present, Alex E. Chávez’s Sonorous Present is richly rewarding and an astonishing sonic experience.
In a Landscape reconciles nature with humanity through lush soundscapes, and it feels like a revelation for newcomers to composer Max Richter’s oeuvre.
In Session documents the night a one-time blues jam between guitarists Albert King and Stevie Ray Vaughan turned into a legendary moment.
Country-rockers Loose Cattle’s Someone’s Monster suggests that we may all be somebody else’s demons while the songs imply we might be our own worst enemies.
The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.
In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.
Can’t Steal My Fire: The Songs of David Olney introduces one of America’s great but overlooked songwriters to a broader audience.
Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.
In November’s best metal, the Body corrode all sound, Defeated Sanity balance immediacy and complexity, and Djevel relish the Scandinavian black metal spirit.
David Gilmour visits 1973 early in the set with a crowd-pleasing trio of “Speak to Me”, “Breath (In the Air)”, and “Time” from The Dark Side of the Moon.
Luke Wyland’s performances provide the usual Zen moments from this type of ambient minimalism, but there’s a hint of darkness within the notes.
When Talk Talk released It’s My Life in 1984, they shook the new wave establishment with great songs and a new approach, while refusing any genre boxification.