
Raúl Monsalve Explores Vibrant Afro-Venezuelan Connections
With Sol, Raúl Monsalve y Los Forajidos add their soulful illumination to a world in which there are always bright and beautiful moments and music like this.
With Sol, Raúl Monsalve y Los Forajidos add their soulful illumination to a world in which there are always bright and beautiful moments and music like this.
Blood on the Silver Screen sounds like a sonic masterpiece for modern times, with SASAMI’s ability to dazzle in varying formats while singing her heart out.
Despite a title nearly as long as the record itself, Courting’s ambitious attempts to stretch beyond basic guitar rock pay off richly on their third album.
Annie & the Caldwells’ Can’t Lose My (Soul) blends gospel fervor and deep grooves into a triumphant, soul-stirring album that reaches for transcendence.
While Joy Burklund’s Songbouquet sounds inspired by many of the classic pop and rock records that preceded it, it also affirms the power of community.
Heartworms’ Glutton For Punishment is a highly intelligent, essentially perfect album. At 37 minutes long, it’s a precision-cut diamond.
The Lathums have fulfilled the promise of “Crying Out” with a series of singles and two hit albums. Now, they have released a hard-hitting third album.
Yes’ Close to the Edge remains a progressive rock landmark, but Rhino’s new Super Deluxe Edition does little to further that legacy.
That most of the extras on Wilco’s A Ghost Is Born gel into a cohesive listen is a hell of a triumph. That they entice enough for repeat listens is nothing short of a miracle.
Youthful Arkansas native Jesse Welles has been at it for years but moves beyond protest music to the sophisticated alternative country of Middle.
Mike Farris recapitulates his musical past in a way that posits him as an artist with plenty of forward momentum even as he builds on history.
Circuit des Yeux’s work, including her singular voice, conjures the grand epics, the metamorphoses that the ancients whispered and sang about.