
The Trey Anastasio Band Shine a Guiding Light
Trey Anastasio’s music might not be able to save the world per se, but it shines a light that provides spiritual sustenance for fans.

Trey Anastasio’s music might not be able to save the world per se, but it shines a light that provides spiritual sustenance for fans.

Listening to The Return of the Durutti Column is like being given the key to a world that, while not as secret as before, is well worth exploring.

Rebellion, the fuel that raises any artist from amateur to professional, is on full display for all the world to witness on Thomas Raggi’s new album.

Sharp Pins’ catchy new album should be celebrated for its authentic 1960s pop-rock representation, even if it’s unclear what exactly makes the band unique.

Yves Jarvis beefs up the Polaris Prize-winning album All Cylinders with more songs for a new release. It’s the sound of the experimental becoming accessible.

Billy Hart’s Multidirectional is distinctive and exemplary modern jazz from a master bandleader who rarely makes a false move. This album is on the money.

Laura Fisher has added another unique entry to her compelling discography, creating a piece that is impressive on a technical level and a captivating listen.

Tangerine Dream’s albums from the early to mid-1970s are not only iconic in the strongest sense of the word; they’re influential beyond compare.

Despite several moments of quiet intensity, Kalia Vandever’s Another View flows like a dream, with composition and improvisation beautifully intertwined.

Amy Speace keeps folk traditions alive. With just her guitar and her voice, she inspires, entertains, and reminds us why heartfelt storytelling never goes out of style.

Hourglass is Antibalas through and through: no novelties, no gimmicks, all consummate professionalism. That is a comfort.

Hélène Barbier writes songs that are couched in traditional post-punk, power-pop frameworks, but there always seems to be something off-kilter in the presentation.