The Black Angels Testify with Mesmerizing Psychedelia
The West Coast tour finds the Black Angels on a path to return home to Austin to headline this year’s Levitation on Halloween, which makes it feel like a treat.
The West Coast tour finds the Black Angels on a path to return home to Austin to headline this year’s Levitation on Halloween, which makes it feel like a treat.
Soccer Mommy wrestles with profound loss on her new record, which is more organic and grander than anything she has released before.
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.
Austin’s Being Dead offer up a bizarre, disjointed realm that constantly shifts, sweeping you up and launching you into the most unexpected places.
Tish Hinojosa understands the importance of perspective. Her lyrics look at life from more than one side, knowing we are happier if we search for good.
Elephant9’s new LP is a showpiece for what can happen when masterful instrumentalists follow the muse, fueled by an audience that locks into every twist.
Neil Young’s Archives Vol. III (1976-1987) is the most substantial of his three archival releases, providing an ecstatic vision of what it means to “burn out”.
Channeling For Against and classic Stone Roses, Healees’ Coin de l’œil fuses jangle, shoegaze, and power pop into something beyond those genres.
Jazz singer Diana Panton’s voice suggests the present tenuousness is part of love’s charm. That’s vital to its truth and beauty (“soft winds and roses”).
Halsey’s The Great Impersonator reimagines her career throughout the decades, displaying a conceptual artist at the top of her game. A masterclass in honesty.
Indie rock icon Fred Thomas’ new LP Window in the Rhythm is a career highlight, a riveting and moving meditation on the passage of time.
Producer and multi-instrumentalist Nate Mendelsohn’s (Market) latest songwriting project Well I Asked You a Question is wobbly, unstable, and catchy as hell.