Jamila Woods – “ZORA” (Singles Going Steady)
A nod to the fiercely independent Zora Neale Hurston, Jamila Woods' "Zora" revels in defying "molds" and occupying a lane of your own.
A nod to the fiercely independent Zora Neale Hurston, Jamila Woods' "Zora" revels in defying "molds" and occupying a lane of your own.
The Dream Syndicate lures us in with that twangy guitar and mischievous keyboard line, but the purposefully off-tempo vocals on "Black Light" derail the dream.
GAIKA's "Seven Churches For St Jude" is rich and layered, with an Eastern-sounding vocal riff serving as the song's musical centerpiece and lots of synths and programming swirling around everything.
"Harmony Hall" is about as likable as Vampire Weekend has ever been, from the super-clean ascending guitar lick right on through the piano breakdown that could only have been more baroque if it had been played on a harpsichord.
Soft R&B grooves sneak up on you with subtlety on Rhye's "Count to Five", a low-key jam that isn't too summery but still offers some hope for the end of winter.
With the help of Loyle Carner's laid-back rapping and some well-placed horns and handclaps, Tom Misch brings us the chill-out track we need to make it through the end of winter.
A Place to Bury Strangers buzzes and growls through "Never Coming Back" with no regard for noise ordinances, and it is, as is so often the case, a love-it-or-hate-it kind of situation.
Newcomers to Self Esteem will find a singer who can command in front of the camera as well as in the studio.
Gaz Coombes understands that being connected sometimes just means being in the same place and the same time.
"Standing on the Edge of Tomorrow" ends up as much a powerful expression of present dystopian fears as it is a kicking throwback to '80s goth rock.
Is Rudimental's "These Days" the next great summer jam or is it just treacly sentimentality? Our writers debate...