‘We Stand On Guard’ Goes to War Against Canada
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
In most of today’s standup comedy the outrageousness of the topic goes a long way toward compensating for the absence of wit. I’m not amused.
The dark comedy Patriot illuminates how neoliberalism makes choices for us disguisedly, using entrepreneurial agency as a fig leaf to obscure manipulation.
Tanya Pearson’s Pretend We’re Dead is both hopeful and challenging, and proves that the spirit of 1990s women in rock music is still alive and fighting.
Many of Donald Trump’s 2025 cabinet picks came from Fox News. Would the nation be better served if he binged Looney Tunes instead?
In Understanding Ignorance, philosopher Daniel DeNicola invites us to explore the meaning and implication of what we don’t know, which may be as complex as knowledge itself.
Tracing punk’s mutations, Iain Ellis’ Punk Beyond the Music is a robust and kaleidoscopic survey of this once-outsider subculture’s continuing, pervasive influence.
For a record conceived of following the 2016 US election and a global pandemic, ambient maestro Rafael Anton Irisarri is ready to soundtrack our downfall.
What should we understand as the connection between politics, people, and places? Can Latinx pop songs be trusted to represent us?
Masterfully layered and confidently executed, Walter Salles’ I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
Dissident Iranian rapper Toomaj Salehi – an heir to the legacies of Persian rap’s founders – carries a torch for Women, Life, Freedom as death looms.