
MGM’s ‘Lovely to Look At’ Lives Up to It’s Title
MGM musical Lovely to Look At is gorgeous stuff; the colors bleed so richly and profusely that they spread across the frames like melted crayons.
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MGM musical Lovely to Look At is gorgeous stuff; the colors bleed so richly and profusely that they spread across the frames like melted crayons.

Sonetos del Amor Oscuro adapt seven Lorca works into six artful tracks that interpret not only the words but the spirit of his final works to poignant effect.

These 25 songs feature outer space on the dance floor, from the avant-garde to Star Wars commercialism and beyond.

Sassy 009 journeys between the conscious and subconscious, explored through a dynamic blend of twitchy hyperpop, rumbling acid techno, and 1990s trip-hop.

Indie institution Xiu Xiu transform the sound of a diverse set of tracks to emphasize the darkness and despair lurking within them.

These best TV shows you may have missed include a show that’s ludicrously funny, one filled with scattershot mayhem, one that’s brutal and macabre, and a surreal comedy.

At the half-century mark, Wish You Were Here 50 gives Pink Floyd the long-overdue royal treatment.

Let’s Eat Grandma’s Jenny on Holiday captures love’s emotions on an intimate, confessional record wrapped in a glossy, pretty synthpop package.

These 12 new self-penned tracks demonstrate that the James Hunter Six have found their niche and discovered how to exploit the groove.

Like Cormac McCarthy, Andrew Krivak breaks complex actions, narrated in strings of independent clauses, into their elemental parts in Mule Boy.

Biographer Marisa Meltzer accentuates the inner depth of her talented subject in her book, It Girl: The Life and Legacy of Jane Birkin.

In December’s best metal, Martröd tap into fiery black-metal dissonance, Lychgate expand extreme-metal, and Rotten Sound show their grind quality.