‘No Songs Tomorrow’ Compiles the Best of 1980s Darkwave
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
Gabriel Birnbaum takes many aspects of rock, folk, and indie music that everyone is familiar with and subtly rearranges them in ways we never thought possible.
The verdict on Evolve is what so many people have given Phish in the past: the instrumentals are fabulous, but the lyrics leave something to be desired.
The Mysterines’ new record is the aural equivalent of a spooky, creaky old house—at an amusement park. It gets the look and feel right, but it’s artifice.
The strong hooks on The Secret of Us provide the missing third dimension to Gracie Abrams’ songs and create a winning formula that could sustain more albums.
The collective effort to bring folk legend Linda Thompson’s ‘Proxy Music’ and this musical night saluting it to life was nothing short of magical.
Cicadastone’s Future Echoes is a gleeful, rip-roaring, endlessly entertaining beat-down of everything sensitive or delicate in our homogenized society.
For two nights in Los Angeles, queer indie-pop trio MUNA put on a joyous homecoming concert ten years of dreaming in the making.
The combined forces of composer/vocalist/violinist Caroline Shaw and accomplished ensemble Sō Percussion continue to thrill and amaze.
With Weird Rooms, John Andrew Fredrick and the Black Watch are at the late height of their powers and perhaps the end of their life as a group.
Rising Appalachia’s harmonies on “I Need a Forest Fire” are downright mesmerizing, as they deliver a zeitgeisty performance for one of 2024’s top tracks.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.