The Black Crowes Soar with Fresh Tracks and Deep Cuts
This version of the Black Crowes are returning to the straight-ahead, swaggering rock and blistering blues that put them on the map in the early 1990s.
This version of the Black Crowes are returning to the straight-ahead, swaggering rock and blistering blues that put them on the map in the early 1990s.
Today’s discord and desperation over abortion in America has roots in Philip Dunne’s faded Blue Denim, one of the first Hollywood films to address the issue.
Hannah Selin has created a profoundly engaging set of compositions on her debut LP. They are a sonic equivalent to deep sleep and vivid, complex dream states.
Long-standing art pop collective, the High Llamas take big risks on their latest LP, redefining their sound with hip-hop, R&B, and a lot of Auto-Tune.
Melvins are masters of their craft, still able to make songs that stand with their finest work precisely because they’re never trying to recapture that past.
Singer-songwriter Dawn Landes performs classic folk songs of struggle. Women’s rights are the unalienable ones we all share. Anything else is inherently wrong.
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
Crime thriller Sugar, starring Colin Farrell, is an intoxicating celebration of Classic Hollywood that will keep you guessing about what’s really going on.
Alex Garland’s Civil War refuses righteousness. Instead, it takes a hard, unflinching look at the true costs of war for everybody and everything it touches.
Cloud Nothings have delivered record after record of catchy, energetic songs without getting stale or repetitive. Final Summer continues that streak.
Following Robed in Rareness from last fall, Shabazz Palaces continues a provisional series with the cryptic and digressive Exotic Birds of Prey.
Neo-Britpoppers Sunday League bring baroque rock muscle, energetic walls of sound, plus enough British pub swagger to nick your pint right off the bar.