‘Belaya Polosa’ Expands Molchat Doma’s Industrial Palette
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
Premee Mohamed’s We Speak Through the Mountain is a school story set in a future that looks startlingly close to our times, sentient fungal infections notwithstanding.
On Manning Fireworks, MJ Lenderman describes down-and-out characters with his usual witty charm, all while showcasing his exceptional musical abilities.
Guitar virtuoso Billy Strings has been on quite a roll over the past few years, winning widespread acclaim for his energetic live performances.
It would be unfair to put Moira Smiley’s work in a single box, but it seems fitting to note how fully she embodies the core ideals of contemporary folk music.
WHY?’s The Well I Fell Into is a harrowing hip-hop journey, but one that belongs on the shelf for the next time heartbreak comes calling.
After almost four years of darkness, violence, cultural malaise, and fascism’s threat, today’s young generation fight back with sincere joy at Osheaga.
Japanese visual artist, Komitsu’s newest work “Five Years Old Memories” is a colorful interactive documentary. It reimagines old CD-ROM software for the digital era.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Canadian hardcore legends Fucked Up channel 1970s riffage and wear a hard-won optimism well on Another Day. It’s among their best albums.
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.