
Amadou & Mariam Bid a Poignant Farewell
Amadou & Mariam’s final album is a testament to their creative and personal chemistry. Their music has always been able to brighten a room.
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Amadou & Mariam’s final album is a testament to their creative and personal chemistry. Their music has always been able to brighten a room.

Trey Anastasio’s music might not be able to save the world per se, but it shines a light that provides spiritual sustenance for fans.

In Robert Kramer’s documentary Route One/USA a fictional character rides shotgun in this road trip history and memory.

Listening to The Return of the Durutti Column is like being given the key to a world that, while not as secret as before, is well worth exploring.

Yorgos Lanthimos’ Bugonia blends modernity and absurdity to create a sharp satire with a thriller’s pacing.

Sharp Pins’ catchy new album should be celebrated for its authentic 1960s pop-rock representation, even if it’s unclear what exactly makes the band unique.

Yves Jarvis beefs up the Polaris Prize-winning album All Cylinders with more songs for a new release. It’s the sound of the experimental becoming accessible.

Billy Hart’s Multidirectional is distinctive and exemplary modern jazz from a master bandleader who rarely makes a false move. This album is on the money.

Laura Fisher has added another unique entry to her compelling discography, creating a piece that is impressive on a technical level and a captivating listen.

Tangerine Dream’s albums from the early to mid-1970s are not only iconic in the strongest sense of the word; they’re influential beyond compare.

Despite several moments of quiet intensity, Kalia Vandever’s Another View flows like a dream, with composition and improvisation beautifully intertwined.

Arrow Video’s 4K release of the Val Kilmer sci-fi flick Red Planet is gorgeous. Too bad the story gets lost in its own dust storm.