The Family-Friendly ‘Bookworm’ Is a Reunion – with a Twist
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.
Ice Spice’s Y2K! may have an obvious title, named for her birth year, but she wasn’t born yesterday. In 2024, stating a fact is the realest thing you can do.
On Vertigo, psychedelic rockers Wand distill hours of material and add ornamentation to tracks that regularly favor mood over moments of grandeur.
René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.
Chanel Beads’ LP uncovers flashes of revelation—insights that carry bedroom pop to a new level of ambitiousness while staying faithful to its homemade appeal.
The beach park provides balmy breezes making the setting feel like a genuine paradise and even more so with Phil Lesh still crushing it like a man half his age.
That All Hell is another high-quality release is not the least bit surprising; it’s Los Campesinos!’s best record and likely one of the finest of the year.
On their first official album as a trio, the Nathan Bowles Trio forsake egotism in favor of collective world-building with warm, inviting acoustic music.
It isn’t easy to get a bead on Charlie Overbey. He’s a rock and roll singer who veers from punk to country and claims they all merge at the root.
By using a fleeting moment of attraction as its concept, Clairo’s ‘Charm’ surveys the damage love affairs, both long-lasting and short-lived, can inflict.
Ben Seretan’s new LP is loud and cathartic, filled with psychedelic noise, gospel-tinged refrains, unhinged guitar mania, and a live-in-the-studio sound.
Okaidja Afroso’s Àbòr Édín delivers a genuinely seamless blend of different styles and unplugged sounds, with each track dense with color and meaning.