The Smile Prioritize Grace and Restraint on ‘Wall of Eyes’
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
Dolly Parton’s Rockstar is another solid, consistent piece of work that shows the country legend having fun and enjoying herself at this point in her career.
In the shadow of the “Happy Together” decade, Bob Batchelor’s the Doors’ biography Roadhouse Blues explores the dark and gloomy side of Jim Morrison and the band.
Now reminds of the treasure that Graham Nash has been and continues to be in the ongoing narrative of rock music and it’s a snapshot of the creative spark.
On Street Hassle, Lou Reed shaped a thrilling poetic narrative focused through the prism of 1970s New York, using three chords, punk energy, street language, and Samurai ethics.
Is the Rolling Stones’ Goats Head Soup an underappreciated classic or a reckless work marking their descent into a misunderstood and chaotic era – and should we care?
Pearl Jam’s Yield is a rare album resonating as an instant classic from its first spin, with memorable and diverse songs demanding full listening.
Only invigorating, blood-pumping, sledgehammer slabs of rock need to apply. So if time travel is ever invented, here are ten shows to hit first out of the gate.
Carly Simon’s literate, confessional songwriting opened the door for other artists to do the same, including Olivia Rodrigo, Sara Bareilles, and Taylor Swift.
Elder rock statesman John Fogerty puts on one of the most rocking, boogying shows this stodgy reviewer has seen in quite some time.
Madonna’s Confessions on a Dance Floor is a self-contained dance record, an unqualified triumph, and a study of dance music from the 1970s to the 2000s.