Ghost Light Shine with Illuminating Rock Power in San Francisco
There are many bands that can catch a groove and watch the lead guitarist wail, but there are few that can deliver innovative collective ensemble playing like Ghost Light.
There are many bands that can catch a groove and watch the lead guitarist wail, but there are few that can deliver innovative collective ensemble playing like Ghost Light.
Documentary Murder in the Front Row examines the birth, wild life, and eventual plateau of thrash metal in the San Francisco Bay Area.
In her music industry memoir, Horror Stories, Liz Phair has a knack for imbuing the ordinary with a weighty and relatable significance.
Easter Is Cancelled is the Darkness' best album since their 2003 breakthrough Permission to Land.
The Velvet Underground's 1969 self-titled release, known as the "Grey Album", blazes boldly 50 years later, and retains the same sonic relevance as a Laura Nyro or Nick Drake record: artworks utterly of their moment, that sound like they could have been made yesterday.
Stony Plain Records rounds up lost tapes from Canadian country/folk legends Ian and Sylvia Tyson performing as Great Speckled Bird in 1969. It was a very good discovery, indeed.
In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. This excerpt gives a taste of his engaging research into the rise of teenage culture and soul music's resistance against the city's infrastructural racism.
TOPY and Genesis P-Orridge's knowing adoption of cult iconography and organizing principles quickly slid from satiric emulation to full embrace -- and we all went along with it.
Doug Clifford and Stu Cook look back on the bright-burning Creedence Clearwater Revival Woodstock set from August 1969, and talk about the decision to get off the road after 25 years as Creedence Clearwater Revival.
Critic Casey Rae depicts William S. Burroughs as a wise sage whom the wild creatives seek out for his wisdom... well, almost.
Powell and Pressburger's Gone to Earth, and David O. Selznick's revision, The Wild Heart, take a philosophical inquiry into whether animals have souls and to what extent humans are animals.
A crowded music festival market and the changing tastes of younger generations means the Woodstock has lost a lot of its cultural cache and may no longer be so relevant to music fans.