Bartees Strange Remains Shockingly Great on ‘Horror’
Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.
Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.
Rome proves to be a strikingly good example of a great National show, even if nothing quite compares to the real thing.
The collaboration between ethereal pop trio Cocteau Twins and avant-gardist Harold Budd, The Moon and the Melodies, hits vinyl for the first time since 1986.
There is an openness to Helado Negro’s world. His new album Phasor is a dream(y) wake-up call you want to snooze your way back into.
Future Islands’ new LP is that rare album where you might find yourself with the unusual but life-affirming compulsion to dance and quietly sob at the same time.
With dream pop in ascendance again, the final two Cocteau Twins albums appear on vinyl in North America for the first time, newly remastered by Robin Guthrie.
It’s too bad these new songs weren’t parlayed into the bulging bag of goodies that was the 20th-anniversary re-release of the Breeders’ Last Splash.
Reality is much scarier than special effects. Big Thief guitarist, Buck Meek’s music on Haunted Mountain has its charms thanks in part to its purposeful flaws.
Indie rockers The National use every tool in their toolbox, from devastating lyrics to a Taylor Swift feature, to create a cohesive and expressive ninth LP.
With 1993’s Happiness, Capitol Records tried to sit Lisa Germano on a fence between Americana and alternative. With 1994’s Happiness, 4AD Records dismantled the fence.
Dry Cleaning follow last year’s breakthrough debut with Stumpwork‘s indie-flavored post-punk woven together via Florence Shaw’s dispassionate musings.
Although Purity Ring's WOMB never stops sounding good, the bops came easier in 2012. WOMB is an effortful return to form for the electropop duo.