Sparks Fly on Jupiter and Okwess’ Thrilling ‘Ekoya’
Jupiter and Okwess make bold music that moves the body and mind. They are expert at making history and social commentary exciting.
Jupiter and Okwess make bold music that moves the body and mind. They are expert at making history and social commentary exciting.
It’s always a good time to revisit music taking a stand against fascism, and Violeta Parra’s Las Últimas Composiciones has some of South America’s best.
In this ‘Jazz Is Dead’ celebration of highlife legend, Ebo Taylor, a genuinely appreciative team revels in everything he’s done in the past six decades.
Sababu is a decisive step forward for Aboubakar Traoré and Balima, moving them toward becoming internationally focused West African folk-pop standouts.
With OVA, Afro Celt Sound System’s eighth LP, the long-running story comes to what seems to be its coda with the death of Simon Emmerson last year from cancer.
São Paulo band Nomade Orquestra’s ‘Terceiro Mundo’ is a shining example of a group capable of being original, inventive, and nonetheless broadly appealing.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
Roots Funkadelia is a joy of a record with Remi Kabaka and company celebrating West African popular sounds and everything they’ve generated in the diaspora.
Berlin’s Jembaa Groove tap into the sonic palettes of African and diasporic forms like highlife and jazz to create a truly elevated work of art.
“aLAcarte pt. 2” offers another sweet slice of Ekiti Sound’s culturally-spiced pie. It’s a sensuously shuddering, percussive jam that is as minimal as deep.
Kimi Djabaté’s Dindin is an invitation to fellowship for Africans and beyond and a call to take care of unfinished business with kindness and compassion.