Lydia Loveless Is Brutally Honest on ‘Nothing’s Gonna Stand in My Way Again’
Lydia Loveless’ songs on her new LP tell a story of vulnerability, heartache, sadness, and yearning. She faces these issues with brilliant songwriting.
Lydia Loveless’ songs on her new LP tell a story of vulnerability, heartache, sadness, and yearning. She faces these issues with brilliant songwriting.
Paying homage to outlaw country titan Doug Sahm, Jay Farrar of Son Volt reminisces about his friendship with Sahm and how his influence radiates to this day.
Mikaela Davis builds her latest LP as a progression, moving further into rock territory as if demonstrating across an album the fluidity of genre and her art.
Southern Star succeeds because country’s Brent Cobb is more interested in telling a story and having a good time than pontificating.
Bon Iver emerged from the ashes of DeYarmond Edison along with Megafaun. Epoch is an archaeological endeavor documenting the eventual success through devotion to craft.
With Rustin’ in the Rain, Tyler Childers and the Food Stamps have dropped one of the year’s more vital pure country albums. The rich production is impressive.
Mick Flannery uses his gravel-edged voice to full effect on his latest album, Goodtime Charlie. He cultivates the nuances of his limits.
Hiss Golden Messenger’s Jump for Joy switches up the mood considerably, offering a bouncy set of tracks of youthful enthusiasm and maturing gratitude.
Old Crow Medicine Show have never really changed their old-timey style and show that keeping one’s roots exposed in the musical world can be a smart decision.
As Kelly Willis, Brennen Leigh, and Melissa Carper near the end of their summer tour together, take a deep dive inside one triple playful act making a splash.
Drive-By Truckers’ The Dirty South is an absolute gem, and The Complete Dirty South is an upgrade over the original version.
Old Crow Medicine Show’s latest live album, Live at Third Man, is culled from a 2022 performance at Third Man Records in Nashville, and it’s a lively gig.