Stephen Wilson Jr. Compiles His Singles on ‘bon aqua’
Stephen Wilson Jr. describes his music as “Death Cab for Country”, which is accurate as his sound is part rock and part Nashville country.
Stephen Wilson Jr. describes his music as “Death Cab for Country”, which is accurate as his sound is part rock and part Nashville country.
Dougie Poole’s sardonic humor, mixed with his love of country music’s storytelling past, turned him into a cult icon. Out of the pandemic is born a playful, wistful new album.
Dougie Poole’s The Rainbow Wheel of Death has the genuine pathos of country’s best songs, with characters searching for love and longing for redemption in bars and dusty halls.
While Iris DeMent may moan against the world’s evils in Workin’ on a World, the album offers an optimistic message. We can change the world!
In a world of increasing homogenization, Pony Bradshaw reveals the jumbled absurdity of the US South in all its confederate glory on North Georgia Rounder.
Jarrod Dickenson points the way to a better world over a country rock soundtrack. His music suggests we can all boogie to wherever life takes us.
On Whitehorse’s I’m Not Crying, You’re Crying, they wear their hearts on their sleeves, tears in their beers, and tongues in each other’s cheeks.
It’s refreshing to hear someone get down and dirty. Myron Elkins lets his guitar do most of the talking, and that’s a good thing to hear.
Whitehorse duo Luke Doucet and Melissa McClelland go their separate ways to write songs, especially for an emotional album like I’m Not Crying, You’re Crying.
H.C. McEntire seeks salvation on Every Acre, but these songs suggest it can be found in how one approaches the world rather than in some supernatural entity.
CAZIMI is Caitlin Rose’s first new full-length LP in almost ten years and it’s filled with people overwhelmed by changing circumstances and uncertainty.
The sonic expansion in Rayland Baxter’s If I Were a Butterfly makes for exciting and curious listening, but it also leads to a record that feels scattered.