Lilly Hiatt’s ‘Lately’ Offers Beautiful, Vulnerable Snapshots of Intimate Connections
Lilly Hiatt’s Lately offers pandemic inspired poetic reflections on love, desire, and connection in a menagerie of musical styles.
Lilly Hiatt’s Lately offers pandemic inspired poetic reflections on love, desire, and connection in a menagerie of musical styles.
Putting aside their solo roles, Jade Jackson and Aubrie Sellers discover their music is made for each other as Jackson+Sellers reach the Breaking Point.
Country music’s Mercy Bell talks about finding a home in Nashville, the need for queer and nonwhite perspectives, and the transformative power of storytelling.
Sam Johnson led Boston punks Choke Up but now delivers a stirring collection of Americana exploring darkness and light on Along the Dark Edges of Everything.
Queens-based artist, Nico Hedley’s debut Painterly is full of dark, alt-country masterpieces that go down like a good stiff drink.
Singer-songwriter Chris Roberts covers “Chevy Van”, one of the most popular songs of 1975, on his latest EP Lost and Found.
Texas singer-songwriter James McMurtry signs with New West and gives us The Horses and the Hounds awash in loud guitars and unparalleled storytelling.
Sierra Ferrell’s debut album, Long Time Coming, encompasses a wide array of mid-20th-century styles. However, she leans towards classic country and roots music.
On Quietly Blowing It, Hiss Golden Messenger brings experienced Appalachian artfulness to provide just the right space to fulfill his vision.
Son Volt’s Electro Melodier gives you melodies that are perfect for dark, cramped clubs, while Jay Farrar provides thought-provoking lyrics.
“Big Star” from acoustic string quartet Mipso captures the band’s roots in primitive Appalachian sonics and auditory adventures into space-age sounds.
Country artist Dallas Burrow’s best songs are when he’s looking inward. No wonder he named the record after himself.