Jane Weaver’s ‘Love in Constant Spectacle’ is Woven to Impress
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.
Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.
Bleachers finds its primary strength in its serenity. Gentle moments of introspection about love’s redemptive power illuminate some of the brightest moments.
Miracle Sweepstakes’ Last Licks is full of sweet psychedelic pop. The guitar effects and whimsical orchestrations throughout are reminiscent of the late 1960s.
Flat Mary Road break through with Little Realities and deliver jangly, hook-laden power-pop with a touch of Harry Chapin thrown in for good measure.
Zzzahara’s Tender is poignant and sincere above all else but is also a fantastic and sonically relevant collection of pop rock with no time to waste.
Shamir’s gorgeous voice is a genderless, androgynous instrument, soulful, tight, airy, and jazzy, capable of lilting beautifully over shiny pop beats.
Laura Wolf takes us on a true sonic adventure, marrying glitchy samples with emotional execution. It makes you want to hear more from this unique voice.
With Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey implores us not to forget her and has ensured that we can’t possibly.
Norwegian alt-pop artist Ane Brun releases two compilation records tomorrow, while today, she shares the previously unreleased “Hand in the Fire” with a video.
Using the spirals of poetry and jazz that formed her, Fiona Apple’s Tidal established the 18-year-old as an honest and revolutionary voice in music.
In Bless This Mess, U.S. Girls identify funk and R&B grooves as conduits for the very pulse of life. It’s brilliantly conceived and executed.