Does Gay Fandom Help Pop Divas?
Looking at Rina Sawayama, Azealia Banks, Charli XCX, and Kim Petras’ rise and fall in the charts one wonders – does gay fandom help pop divas’ careers?
Looking at Rina Sawayama, Azealia Banks, Charli XCX, and Kim Petras’ rise and fall in the charts one wonders – does gay fandom help pop divas’ careers?
Kissin Time is the sole moment in Marianne Faithfull’s more recent recording period in which she allowed her musical collaborators to shape her sound.
Pop renaissance man Shamir channels trauma, rage, and feelings of angst, and in response to our troubled times, he’s released an album of uncommon beauty.
Andy Bell’s Flicker is the sound of a musician known primarily in shoegaze/Britpop circles who decided to make a singer-songwriter album, and it’s smashing.
Time Skiffs finds Animal Collective in a calm, contemplative state yet places them closer in style to most indie rock bands.
Lana Del Rey’s major-label debut Born to Die provides a roadmap for her songwriting journey, and her personification of America reinvents the past to tell modern stories.
Immersion into Elena Setién’s Unfamiliar Minds is not unlike watching a bowl being coaxed into shape on a potter’s wheel. The slightest touches can send it in another direction.
Damon Albarn’s new album is beautiful, one worthy of the songwriter’s long and oddly-shaped legacy. No Blur or Gorillaz comparisons apply.
Brooklyn-based indie-pop trio Anna Sun release their debut single, “Mine”, a sexy song about the pleasures of obsessive love.
Formerly one-third of the indie-pop band TEEN, Lizzie Loveless is out on her own with a mature, sophisticated album that spans genres and moods.
Allie Dunn has more than a little Laurel Canyon in her soul, as evidenced by the folky and introspective nature of her song “Tom Petty”.
Halsey’s If I Can’t Have Love, I Want Power contains enough magic to be infectious. It’s an ambitious work by an artist exploring aesthetic possibilities.