Remembering For Against’s Brilliant Post-Punk Classic
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Death by Unga Bunga’s Raw Muscular Power is a wild, humorous blend of power-pop and garage rock, tackling existential crises with infectious energy.
Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.
Bloc Party’s first and best record, championed by Franz Ferdinand, still captivates with its youthful energy, political commentary, and emotional center.
Franz Ferdinand dazzle and frustrate with The Human Fear, their return to the recording studio after a seven-year hiatus. It’s a patchy album with brilliance.
Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.
zzzahara’s new LP is about making the best of a bad situation, of transforming darkness into light. It’s a bittersweet testament to the spirit of Los Angeles.
Belly’s rock-oriented follow-up, King, to their dream pop debut, Star, didn’t deserve its fate. It showcases a talented group stretching their sound.
Tanya Pearson’s Pretend We’re Dead is both hopeful and challenging, and proves that the spirit of 1990s women in rock music is still alive and fighting.
Minimalistic and captivating, Lontalius’ new album shows a more concentrated sound. It reflects his growth and marks a high watermark.
AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.
Illiterate Light would be wise to ignore certain impulses concerned with image in favor of what might naturally set them apart.