From January 1967 to January 1972, Aretha Franklin, one of 20th-century pop music's towering geniuses, stood the pop world on its head with a run, inconceivable today, of 11 albums. Tony Scherman's biography in progress about the Queen of Soul covers those years.
From the Apollo Theater to the Kennedy Center, acclaimed vocalist Fonzi Thornton shares untold stories from his solo career and his prolific stage work with Diana Ross, Bryan Ferry, Aretha Franklin, and other music legends.
In this excerpt of Claudrena N. Harold's new book, When Sunday Comes, gospel legend James Cleveland joins the amazing Aretha Franklin to raise the rafters in spirited song.
How do we measure the status of a performer's Holy Grail like the Apollo Theater in 2019? Ted Fox and James Otis Smith's beautifully realized, updated graphic history brings this rich history to life.
Viewing Aretha Franklin's work through a focus on race, gender, and other categories of analysis can challenge us to do the same with all music, acknowledging how multiple points of oppression and privilege impact the production, consumption, and reception of a wide range of music.
The Columbia recordings of Aretha Franklin between 1960 and 1965 are not her best, but they show us an artist learning her craft and gathering the tools that would change American music.
The concept album that is Aretha's Gold follows the chronology of Aretha Franklin's hits, all released in 1967 and 1968, apex years of the decade not just in terms of numbers but also as an apogee of its cultural and political zeitgeist.