40 Years of the Cure’s First True Surrealist Pop Album
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
FKA Twigs’ Eusexua is a conceptual masterpiece that speaks to the heart and the head, the spirit and the body. These things are not separate from each other.
Flora Hibberd displays grace, timelessness, an accurate ear for classic songcraft, and production touches that wrap Swirl in a glorious bow.
Orchestre Tout Puissant Marcel Duchamp are a cohesive collective in which each participant is passionate about the music they make.
With his 1973 album Paris 1919, John Cale created one of his most serene and accessible works, a contrast to the frenetic style of the Velvet Underground.
Arthur Russell biography Travels Over Feeling is an elegy for a generation of underground artists that died too soon and a requiem for a vanished New York.
While Kate Bush’s work and life defy clichés and easy categorization, Graeme Thomson chronicles her story while conveying its inherent ambiguity and mystery.
On the effervescent EELS, Being Dead make good on their promise not to repeat themselves on any song and dart through styles with relative ease to produce a gem.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.
Austin’s Being Dead offer up a bizarre, disjointed realm that constantly shifts, sweeping you up and launching you into the most unexpected places.
Producer and multi-instrumentalist Nate Mendelsohn’s (Market) latest songwriting project Well I Asked You a Question is wobbly, unstable, and catchy as hell.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.