The Beat Goes on for Jimi’s Woodstock Pal Juma Sultan
Jimi Hendrix’s Woodstock percussionist, Juma Sultan, discusses his life with Hendrix, his experience in the New York free jazz scene, and current music.
Jimi Hendrix’s Woodstock percussionist, Juma Sultan, discusses his life with Hendrix, his experience in the New York free jazz scene, and current music.
Mary Halvorson’s Cloudward is a shimmering, deeply satisfying example of a jazz sextet firing on all cylinders. Prepare to be astonished.
Mal Waldron’s Mal/2 vinyl reissue is a handsome package that perfectly captures the late, great jazz pianist just as he was starting his 40-plus-year roll.
The music Joshua Abrams makes with his Natural Information Society is at once inviting, spell-inducing, and consciousness provoking.
Charles Mingus’ The Lost Album From Ronnie Scott’s is right there next to his most blistering records from the 1960s. It’s that good.
Every drum stroke and every breath blown on Wadada Leo Smith’s A Love Sonnet for Billie Holiday and The Chicago Symphonies carries multitudes of meaning.
Soul Food is a stepping stone for Christopher Parker in finding his voice as a bandleader. It’s impressive that jazz this free can be played with so much restraint.
Backed by an eclectic group of musicians, the latest work from violist/composer Jessica Pavone is centered on intuition and instinct.
Steph Richards’ Zephyr is a beast that, in everyone’s interest, shouldn’t be tamed. Strange music is one thing in that it provides life with much-needed flavor.
Henry Threadgill’s followers and fans of modern jazz will have a new milestone to celebrate with Poof. The rest of you work on not taking him for granted.
Graham Haynes vs Submerged’s Echolocation marries drum ‘n’ bass with jazz and stirs cyberpunk visions of electronic music with the work of Miles Davis.
With her experimental jazz album Supersense, trumpeter Steph Richards may have created the first-ever album that you can smell.