Avant-Metal’s Lords of Terror: Fantômas’ Eponymous Debut at 25
Fantômas stand as one of the most audacious music projects of the 1990s. You almost wonder if the quasi-mainstreamish Faith No More held Mike Patton back.
Fantômas stand as one of the most audacious music projects of the 1990s. You almost wonder if the quasi-mainstreamish Faith No More held Mike Patton back.
Metal’s Imperial Triumphant create a type of fusion that marries black/death metal with jazz from across its history. The band discuss their favorite jazz LPs.
In “Götterdämmerung”, black metal band Zeal & Ardor carve out an empowering Black position from Nietzsche’s response to a rotten nihilistic culture.
Rather than being Between the Buried and Me's crowning achievement, Colors was just the start of their evolution into one of heavy metal's most adventurous bands.
On Friday, avant-garde metal band Imperial Triumphant release Alphaville, their best album yet. It may just be the soundtrack to a pandemic, and it's a redefining moment in metal.
Mike Patton's Mr. Bungle release a cover of the Exploited's "Fuck the USA". But what does it mean beyond its general timeliness?
Between the Buried and Me's debut is a little weirder than expected, but not nearly as creative as they would become.
Japanese black metal stalwarts Sigh explore madness through folklore and experiment with new sounds on Heir to Despair.
Norwegian art rock band Manes contemplate death and human existence on their electronica and trip-hop infused full-length Slow Motion Death Sequence.
Powerful Philly metal trio Mob Terror gives listeners a taste of new EP, Superstimulus, with "People".
Australian extreme experimental alchemists Portal pursue a different approach to their devastating blend of death metal brutality.