The Ghostliness of Mark Jenkin’s Post-Brexit Parable, ‘Bait’
Mark Jenkin's haunting Bait exhibits a ghostliness that complements the film's transient landscape of seasonal capital and short-term holiday lets.
Mark Jenkin's haunting Bait exhibits a ghostliness that complements the film's transient landscape of seasonal capital and short-term holiday lets.
Brakes plunges straight into the brutal and absurd endings of the relationships of nine couples before travelling back in time to discover the moments of those first sparks of love.
Robinson in Ruins is a world of grass verges on the edges of motorways, the margins of towns, and the unsettled and unsettling spaces in semi-derelict conditions.