It doesn't matter who played or who produced. It doesn't matter if it's "classical" or "ambient". And it certainly doesn't matter that it was released in 1980. Fourth World, Vol. 1: Possible Musics is still an album unlike any other.
Tobias Rüther’s exploration of Bowie’s artistic and personal development in mid-'70s Berlin offers few cogent insights and a confusing timeline of an artist in a city.