If it’s said that Emitt Rhodes could out McCartney Paul McCartney at his best, then Michael Rault basically out Lennons John Lennon at the top of his game.
This is a streamlined collection of a standard sound with some sonic detours into pop territory, and it draws inspiration from both the classic and the contemporary styles of blues.
This will appeal to both the fans of Gord Downie and the Sadies, and possibly, quite possibly, everyone else who has yet to discover these two wonderful national Canadian treasures.
While it may have its share of faults and deficiencies, Funeral Sky is a record that looks into the future, and I would hope and pray that Reuben and the Dark only get much, more better than here from here on out.