The Visual Aesthetic of ‘Don’t Knock Twice’, Like Its Moral Agenda, is Dark
Don’t Knock Twice delivers on two levels. Savor its clever annotations of feminist horror film theory. Or just enjoy the more visceral pleasures of fear.
Caradog W. James
Don’t Knock Twice delivers on two levels. Savor its clever annotations of feminist horror film theory. Or just enjoy the more visceral pleasures of fear.