The Beths Are Sharp As Ever on ‘Jump Rope Gazers’
New Zealand power-poppers the Beths return with a sophomore album that makes even the most senior indie-rock acts feel rudimentary by comparison.
carpark records
Reaching For the Vibe: Sonic Boom Fears for the Planet on ‘All Things Being Equal’
Sonic Boom is Peter Kember, a veteran of 1980s indie space rockers Spacemen 3, as well as Spectrum, E.A.R., and a whole bunch of other fascinating stuff. On his first solo album in 30 years, he urges us all to take our foot off the gas pedal.
Toro y Moi Contemplates Late Capitalism on ‘Outer Peace’
Esteemed producer Toro y Moi takes on new, funkier sounds with Outer Peace, but none of them quite transcend the overblown promise of his early chillwave fame.
The Beths Practice Confident Ambivalence on ‘Future Me Hates Me’
New Zealand rockers the Beths match garage energy with sweet vocals for a memorable debut album.
Vaporwave Ambassador-Turned-Future Funk Heartthrob Talks about Change: A Chat with Skylar Spence
From the bedroom of Skylar Spence (fka Saint Pepsi) comes Prom King, the first album under the new moniker of young producer Ryan DeRobertis. He shares his thoughts about dropping out of college, his surprising propulsion into the mainstream, and his growth as a musician.
Achieving a Space Age Utopia with Vinyl Williams
We spoke with psychedelic spa musician and visual artist Vinyl Williams about his new set, Into, along with theories of universal oneness.
Speedy Ortiz’s Sadie Dupuis Talks Self-Acceptance, Feminism, and Inclusivity in Rock Music
Sadie Dupuis of Speedy Ortiz talks with PopMatters about a growing progressive movement in rock music, her new record, and more.